SINGING cannot be learnt from a book, and so far from attempting any such impossible feat as writing a book which might be called "Singing without a Master," the author's object—frequently insisted upon herein—is to point out the impossibility of overcoming the difficulties of singing without a teacher. At the same time, there are points upon which a master would not feel called upon to speak; nor would he (except, perhaps, in the course of a very long period of training) be likely to touch on many matters which, though closely connected with the life or business of an accomplished singer, yet lie rather outside the province of the voice-trainer. In a work consisting of detached paragraphs, and not being a continuous essay, it is not always possible to enter into full explanations of the reasons for certain statements; and (for the want of such explanation) one paragraph may appear to contradict another. However, I can assure the reader that such paragraphs are only apparent contradictions; and if he will take the trouble to think such points out for himself, he will find that they are easily reconcileable. There is no subject, perhaps, on which opinions are so divided, and prejudices run so high, as the proper method of training and using the voice; nor is there perhaps one more wrapped in mystery than is the art of singing. This is probably the result of that readiness with which almost every music teacher has hitherto undertaken to teach Singing. This book will not, I am sure, add to the mystery. A careful perusal of its contents should clear away many misconceptions, and place the student on the right road to that end which he or she has in view. PREFACE TO THE FOURTH EDITION
